Sunil Gangopadhyay (1934-2012): The Artist Returns

I discovered the Nil-Lohit books at a perfect age: I was about thirteen and had received his book Koishore as a birthday gift. Koishore translates as Adolescence, although the clinical English sorely lacks the poetry drenching the Bangla word. I remember the book still, smaller in size than the usual offerings from Ananda Publishers, barely a hundred pages, a laminated white cover with a window painted in vivid colors. I had no idea who the writer Nil-Lohit was, and the book languished on my desk for months before I picked it up one afternoon. I was utterly transformed as only a teenager in love with words and sorrow can be. Sadness like that: isn’t that what adolescence is for?

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